“Adrienne Rich’s poem: Living In Sin” Analysis Essay

Adrienne Richs verse Living In Sin is a free verse song ab come in a cleaning womans fairy recital pipe pipe dream of marriage versus the reality of the evil of non loving severally other. The typesetters case of the poem is a woman starting a accompaniment of foretaste and happiness in a perfect affinity only to subscribe to the true reality of the relationship. The speaker unit of the poem observes the womans aliveness history as sad and boring using the past(a) tense up versus the certify, and inadequate run on lines that set the hopeless mood of the poem. Imagery and slanted language is also utilize to light upon the unhappy relationship throughout the poem. Living In Sin delivers a womans life without rhyme in four meaningful material bodys and as the tone changes she sees the relationship/marriage she expected and the relationship as it actually is.To begin with the speaker uses run-on lines, past tense and tone to illustrate the first sign. She had horizon the studio would keep itself shows that in the beginning of the relationship she pictured a fairy tale marriage like Cinderella. There would be no chores, no dusting, everything would be a perfect marriage. The use of past tense means she is thinking of what is not. The lines atomic number 18 also short and choppy make everything sound hopeless. The next line, Half heresy the speaker comes back to the present tense of the leaky faucet, noise and dirty windows. The mood past shifts once again and she paints a pretty picture of her home with fruit and happiness on the table, a piano with an expensive shawl, and a cat as a nice pet. The short, choppy run on lines makes the womans life appear hopeless and tired of doing this day after day.The next image the speaker speaks about is the dinner from the dark before. By using the past tense again, Not that at five. shows the image of a quixotic dinner that never was. The poem looses this imagery with the sound of the milkman wake her up as the cold morning dawns only to ruin her fantasy dream of the frustration of cleaning up from the night before. The use of language to describe last nights cheese is a parable to show how sour their relationship really is. The speaker also uses three grisly bottles, sepulchral meaning burial or tomb, as a metaphor or image of the bottles lined up as dead soldiers from the night before of drinking and partying. The woman feels as if she too has died inside and is living in atomb. The bug, a pair of beetle-eyes would fix her own, is other example of an image of what the woman doesnt expect from life as she writhe under the milkmans tramppersonifies her bending in pain. ultimately the man in her life is introduced. Again run on, choppy lines are used to describe him in only four lines shows he is not in her life very often and she is frustrated and angry at him. He is described as yawning which shows that he is ignoring her and just goes on with his on self absorbed l ife. He then plays the piano which is out of tune like their relationship is in need of help. Next he shrugs at the mirror and leaves for a cigarette suggests he doesnt fright about her. Then the reality, using past to present, as the woman realizes by the minor demons, her inner thoughts of the fantasy versus the reality of the house work he left behind for her to do.The woman goes back to making the house cipher perfect on the outside to keep up the idea of a fairy tale life that she once thought she might have. The image of the coffee-pot boil everywhere on the stove shows that even though she is exit on like nothing is wrong, inside she is boiling. Comparative imagery is used to show life then and straightaway in the the pears are now last nights cheese, the cat is now a beetle-eye bug, a piano with a Persian shawl is now an out of tune keyboard, and no dust upon the furniture of love is now a dusty table-top. The fallacy of a fantasy and now the reality of her life.The fi nal image ends with By evening she was back in love again, shows the fantasy versus the reality of open-eyed to feel the daylight coming when she can start all over again. Like a relentless milkman up the stairs, she has to wake up and do the same thing day after day like the milkman waking up and starting all over again to deliver the milk. The woman goes back to her job that life will get better and someday will have a fairy tale ending, but until then she has to live in her tomb of a relationship, hence, living in sin of not being happy with what she has.Adrienne Richs poem does an provoke job of describing the miserable life of a woman looking for love. She uses prismatic language and imagery to show the dark, unhappy life of this woman. There is a lot of emotion and feelingsthroughout the poem. The words like, grime, writhe, coldly, sepulchral, beetle-eyes, jeered, and demons all give a feeling of the sadness that this woman feels every day. The poem is easy to necessitate and feel the loneliness this woman has in four, choppy run on images. In conclusion, Living in Sin paints a picture of a woman finally realizing that her marriage is not a fairy tale ending. Through imagery, run on lines, and tone the sin is in the guilty conscience from not living in the present and not being in love with her husband, whos not in love. This was an interesting poem on the sin of not loving each other and accepting each other for who they are.