Gustave Courbets Reclining Nude Essay -- Courbet Painting Art Nude Es

Gustave Courbets Reclining nude In the Philadelphia Museum of Art be five paintings by Gustave Courbetof all of these I found Reclining Nude (1868, Oil on canvas, The Louis &Stern Collection, 63-81-20) the most interesting. It depicts a nude womanlying on the beach beneath a billowing canopy. A dark, solely tranquil sea isin the background. The sky is dark as if the final rays of the sun were vanish over the horizon. There ar a few clouds in the sky, they aredark but not threatening. The picture is in truth dark in popular and there isno obvious argus-eyed source. The edges of the painting are so dark it isimpossible to tell what the nude reclines against. A very dim light falls on the woman, who lies on her right side. Theupper half(prenominal) of her torso is twisted to her left field and her hips and legs sheaththe viewer. Her right leg is bent slightly so her calf is beneath herstraightened left leg. The woman is not as thin as classical nudes, herhips are somew hat broad and her thighs are slightly heavy. Her weapons arecrossed languidly over her head. Because her arms are crossed over herhead, her face is near completely in the shadows this shadowing coversthe detail of her face in such a way that she could be almost anyone. Shegazes ruminatively at the ground to her left. The woman is rendered very softly and is in a very sensuous pose. Thispicture would have been found scandalous for its informal overtones as wasCourbets La Demoiselles au bord de la Seine. A scarlet cloth lies in confront of her it has a very rumpled look which has sexual implications. Thevacant, wistful look and the languid crossing of her arms suggests that sheis thinking of a lover who has just left her. The car... ...f vision one is more able to appreciate Courbets deliberate attentionto the curves and anatomy of the womans body, as well as his eye for smalldetail such as the two tiny boats on the horizon. While galore(postnominal) critics ofCourbets time could not understand his choice of theater matter, theycould appreciate his execution of the subject matter. Gustave Courbets subject matter may not have been understood orconsidered proper in his day, but now they are considered to be moreacceptable. One, whether of the past or present, must appreciate histechnical abilities his mastery of line, form, and balance. Though his privation of color is disappointing, the picture in itself is very pleasing tolook at because it is such a tran- quil, restful scene. While Courbet wasnot totally appreciated in his day, he is in these times considered to bean excellent artist. Gustave Courbets Reclining Nude Essay -- Courbet Painting Art Nude EsGustave Courbets Reclining Nude In the Philadelphia Museum of Art are five paintings by Gustave Courbetof all of these I found Reclining Nude (1868, Oil on canvas, The Louis &Stern Collection, 63-81-20) the most interesting. It depicts a nude womanlying on the beach beneath a billowing canopy. A dark, but tranquil sea isin the background. The sky is dark as if the final rays of the sun weredisappearing over the horizon. There are a few clouds in the sky, they aredark but not threatening. The picture is very dark in general and there isno obvious light source. The edges of the painting are so dark it isimpossible to tell what the nude reclines against. A very dim light falls on the woman, who lies on her right side. Theupper half of her torso is twisted to her left and her hips and legs facethe viewer. Her right leg is bent slightly so her calf is beneath herstraightened left leg. The woman is not as thin as classical nudes, herhips are somewhat broad and her thighs are slightly heavy. Her arms arecrossed languidly over her head. Because her arms are crossed over herhead, her face is almost completely in the shadows this shadowing coversthe detail of her face in such a way that she could be almost anyone. Shegazes wistfully at the ground to he r left. The woman is rendered very softly and is in a very sensuous pose. Thispicture would have been found scandalous for its sexual overtones as wasCourbets La Demoiselles au bord de la Seine. A scarlet cloth lies infront of her it has a very rumpled look which has sexual implications. Thevacant, wistful look and the languid crossing of her arms suggests that sheis thinking of a lover who has just left her. The car... ...f vision one is more able to appreciate Courbets careful attentionto the curves and anatomy of the womans body, as well as his eye for smalldetail such as the two tiny boats on the horizon. While many critics ofCourbets time could not understand his choice of subject matter, theycould appreciate his execution of the subject matter. Gustave Courbets subject matter may not have been understood orconsidered proper in his day, but now they are considered to be moreacceptable. One, whether of the past or present, must appreciate histechnical abilities his maste ry of line, form, and balance. Though hislack of color is disappointing, the picture in itself is very pleasing tolook at because it is such a tran- quil, restful scene. While Courbet wasnot totally appreciated in his day, he is in these times considered to bean excellent artist.